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"name": "Demiplanes",
"desc": "Demiplanes are small extradimensional spaces with their own unique rules. They are pieces of reality that don't seem to fit anywhere else. Demiplanes come into being by a variety of means. Some are created by spells, such as _demiplane_, or generated at the desire of a powerful deity or other force. They may exist naturally, as a fold of existing reality that has been pinched off from the rest of the multiverse, or as a baby universe growing in power. A given demiplane can be entered through a single point where it touches another plane. Theoretically, a _plane shift_ spell can also carry travelers to a demiplane, but the proper frequency required for the tuning fork is extremely hard to acquire. The _gate_ spell is more reliable, assuming the caster knows of the demiplane.",
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"name": "Inner Planes",
"desc": "The Inner Planes surround and enfold the Material Plane and its echoes, providing the raw elemental substance from which all the worlds were made. The four **Elemental Planes**-Air, Earth, Fire, and Water-form a ring around the Material Plane, suspended within the churning **Elemental Chaos**.\n\nAt their innermost edges, where they are closest to the Material Plane (in a conceptual if not a literal geographical sense), the four Elemental Planes resemble a world in the Material Plane. The four elements mingle together as they do in the Material Plane, forming land, sea, and sky. Farther from the Material Plane, though, the Elemental Planes are both alien and hostile. Here, the elements exist in their purest form-great expanses of solid earth, blazing fire, crystal-clear water, and unsullied air. These regions are little-known, so when discussing the Plane of Fire, for example, a speaker usually means just the border region. At the farthest extents of the Inner Planes, the pure elements dissolve and bleed together into an unending tumult of clashing energies and colliding substance, the Elemental Chaos.",
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"name": "Outer Planes",
"desc": "If the Inner Planes are the raw matter and energy that makes up the multiverse, the Outer Planes are the direction, thought and purpose for such construction. Accordingly, many sages refer to the Outer Planes as divine planes, spiritual planes, or godly planes, for the Outer Planes are best known as the homes of deities.\n\nWhen discussing anything to do with deities, the language used must be highly metaphorical. Their actual homes are not literally “places” at all, but exemplify the idea that the Outer Planes are realms of thought and spirit. As with the Elemental Planes, one can imagine the perceptible part of the Outer Planes as a sort of border region, while extensive spiritual regions lie beyond ordinary sensory experience.\n\nEven in those perceptible regions, appearances can be deceptive. Initially, many of the Outer Planes appear hospitable and familiar to natives of the Material Plane. But the landscape can change at the whims of the powerful forces that live on the Outer Planes. The desires of the mighty forces that dwell on these planes can remake them completely, effectively erasing and rebuilding existence itself to better fulfill their own needs.\n\nDistance is a virtually meaningless concept on the Outer Planes. The perceptible regions of the planes often seem quite small, but they can also stretch on to what seems like infinity. It might be possible to take a guided tour of the Nine Hells, from the first layer to the ninth, in a single day-if the powers of the Hells desire it. Or it could take weeks for travelers to make a grueling trek across a single layer.\n\nThe most well-known Outer Planes are a group of sixteen planes that correspond to the eight alignments (excluding neutrality) and the shades of distinction between them.\n\nThe planes with some element of good in their nature are called the **Upper Planes**. Celestial creatures such as angels and pegasi dwell in the Upper Planes. Planes with some element of evil are the **Lower Planes**. Fiends such as demons and devils dwell in the Lower Planes. A plane's alignment is its essence, and a character whose alignment doesn't match the plane's experiences a profound sense of dissonance there. When a good creature visits Elysium, for example (a neutral good Upper Plane), it feels in tune with the plane, but an evil creature feels out of tune and more than a little uncomfortable.",
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"name": "Planar Travel",
"desc": "When adventurers travel into other planes of existence, they are undertaking a legendary journey across the thresholds of existence to a mythic destination where they strive to complete their quest. Such a journey is the stuff of legend. Braving the realms of the dead, seeking out the celestial servants of a deity, or bargaining with an efreeti in its home city will be the subject of song and story for years to come.\n\nTravel to the planes beyond the Material Plane can be accomplished in two ways: by casting a spell or by using a planar portal.\n\n**_Spells._** A number of spells allow direct or indirect access to other planes of existence. _Plane shift_ and _gate_ can transport adventurers directly to any other plane of existence, with different degrees of precision. _Etherealness_ allows adventurers to enter the Ethereal Plane and travel from there to any of the planes it touches-such as the Elemental Planes. And the _astral projection_ spell lets adventurers project themselves into the Astral Plane and travel to the Outer Planes.\n\n**_Portals._** A portal is a general term for a stationary interplanar connection that links a specific location on one plane to a specific location on another. Some portals are like doorways, a clear window, or a fog- shrouded passage, and simply stepping through it effects the interplanar travel. Others are locations- circles of standing stones, soaring towers, sailing ships, or even whole towns-that exist in multiple planes at once or flicker from one plane to another in turn. Some are vortices, typically joining an Elemental Plane with a very similar location on the Material Plane, such as the heart of a volcano (leading to the Plane of Fire) or the depths of the ocean (to the Plane of Water).",
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"name": "The Material Plane",
"desc": "The Material Plane is the nexus where the philosophical and elemental forces that define the other planes collide in the jumbled existence of mortal life and mundane matter. All fantasy gaming worlds exist within the Material Plane, making it the starting point for most campaigns and adventures. The rest of the multiverse is defined in relation to the Material Plane.\n\nThe worlds of the Material Plane are infinitely diverse, for they reflect the creative imagination of the GMs who set their games there, as well as the players whose heroes adventure there. They include magic-wasted desert planets and island-dotted water worlds, worlds where magic combines with advanced technology and others trapped in an endless Stone Age, worlds where the gods walk and places they have abandoned.",
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"name": "Transistive Planes",
"desc": "The Ethereal Plane and the Astral Plane are called the Transitive Planes. They are mostly featureless realms that serve primarily as ways to travel from one plane to another. Spells such as _etherealness_ and _astral projection_ allow characters to enter these planes and traverse them to reach the planes beyond.\n\nThe **Ethereal Plane** is a misty, fog-bound dimension that is sometimes described as a great ocean. Its shores, called the Border Ethereal, overlap the Material Plane and the Inner Planes, so that every location on those planes has a corresponding location on the Ethereal Plane. Certain creatures can see into the Border Ethereal, and the _see invisibility_ and _true seeing_ spell grant that ability. Some magical effects also extend from the Material Plane into the Border Ethereal, particularly effects that use force energy such as _forcecage_ and _wall of force_. The depths of the plane, the Deep Ethereal, are a region of swirling mists and colorful fogs.\n\nThe **Astral Plane** is the realm of thought and dream, where visitors travel as disembodied souls to reach the planes of the divine and demonic. It is a great, silvery sea, the same above and below, with swirling wisps of white and gray streaking among motes of light resembling distant stars. Erratic whirlpools of color flicker in midair like spinning coins. Occasional bits of solid matter can be found here, but most of the Astral Plane is an endless, open domain.",
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"name": "Celtic Deities",
"desc": "| Deity | Alignment | Suggested Domains | Symbol |\n|---------------------------------------------------|-----------|-------------------|------------------------------------|\n| The Daghdha, god of weather and crops | CG | Nature, Trickery | Bubbling cauldron or shield |\n| Arawn, god of life and death | NE | Life, Death | Black star on gray background |\n| Belenus, god of sun, light, and warmth | NG | Light | Solar disk and standing stones |\n| Brigantia, goddess of rivers and livestock | NG | Life | Footbridge |\n| Diancecht, god of medicine and healing | LG | Life | Crossed oak and mistletoe branches |\n| Dunatis, god of mountains and peaks | N | Nature | Red sun-capped mountain peak |\n| Goibhniu, god of smiths and healing | NG | Knowledge, Life | Giant mallet over sword |\n| Lugh, god of arts, travel, and commerce | CN | Knowledge, Life | Pair of long hands |\n| Manannan mac Lir, god of oceans and sea creatures | LN | Nature, Tempest | Wave of white water on green |\n| Math Mathonwy, god of magic | NE | Knowledge | Staff |\n| Morrigan, goddess of battle | CE | War | Two crossed spears |\n| Nuada, god of war and warriors | N | War | Silver hand on black background |\n| Oghma, god of speech and writing | NG | Knowledge | Unfurled scroll |\n| Silvanus, god of nature and forests | N | Nature | Summer oak tree |",
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"name": "Egyptian Deities",
"desc": "| Deity | Alignment | Suggested Domains | Symbol |\n|-------------------------------------------------|-----------|--------------------------|--------------------------------------|\n| Re-Horakhty, god of the sun, ruler of the gods | LG | Life, Light | Solar disk encircled by serpent |\n| Anubis, god of judgment and death | LN | Death | Black jackal |\n| Apep, god of evil, fire, and serpents | NE | Trickery | Flaming snake |\n| Bast, goddess of cats and vengeance | CG | War | Cat |\n| Bes, god of luck and music | CN | Trickery | Image of the misshapen deity |\n| Hathor, goddess of love, music, and motherhood | NG | Life, Light | Horned cowʼs head with lunar disk |\n| Imhotep, god of crafts and medicine | NG | Knowledge | Step pyramid |\n| Isis, goddess of fertility and magic | NG | Knowledge, Life | Ankh and star |\n| Nephthys, goddess of death and grief | CG | Death | Horns around a lunar disk |\n| Osiris, god of nature and the underworld | LG | Life, Nature | Crook and flail |\n| Ptah, god of crafts, knowledge, and secrets | LN | Knowledge | Bull |\n| Set, god of darkness and desert storms | CE | Death, Tempest, Trickery | Coiled cobra |\n| Sobek, god of water and crocodiles | LE | Nature, Tempest | Crocodile head with horns and plumes |\n| Thoth, god of knowledge and wisdom | N | Knowledge | Ibis |",
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"name": "Greek Deities",
"desc": "| Deity | Alignment | Suggested Domains | Symbol |\n|--------------------------------------------|-----------|------------------------|---------------------------------------|\n| Zeus, god of the sky, ruler of the gods | N | Tempest | Fist full of lightning bolts |\n| Aphrodite, goddess of love and beauty | CG | Light | Sea shell |\n| Apollo, god of light, music, and healing | CG | Knowledge, Life, Light | Lyre |\n| Ares, god of war and strife | CE | War | Spear |\n| Artemis, goddess of hunting and childbirth | NG | Life, Nature | Bow and arrow on lunar disk |\n| Athena, goddess of wisdom and civilization | LG | Knowledge, War | Owl |\n| Demeter, goddess of agriculture | NG | Life | Mare's head |\n| Dionysus, god of mirth and wine | CN | Life | Thyrsus (staff tipped with pine cone) |\n| Hades, god of the underworld | LE | Death | Black ram |\n| Hecate, goddess of magic and the moon | CE | Knowledge, Trickery | Setting moon |\n| Hephaestus, god of smithing and craft | NG | Knowledge | Hammer and anvil |\n| Hera, goddess of marriage and intrigue | CN | Trickery | Fan of peacock feathers |\n| Hercules, god of strength and adventure | CG | Tempest, War | Lion's head |\n| Hermes, god of travel and commerce | CG | Trickery | Caduceus (winged staff and serpents) |\n| Hestia, goddess of home and family | NG | Life | Hearth |\n| Nike, goddess of victory | LN | War | Winged woman |\n| Pan, god of nature | CN | Nature | Syrinx (pan pipes) |\n| Poseidon, god of the sea and earthquakes | CN | Tempest | Trident |\n| Tyche, goddess of good fortune | N | Trickery | Red pentagram |",
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"name": "Norse Deities",
"desc": "| Deity | Alignment | Suggested Domains | Symbol |\n|-------------------------------------------|-----------|-------------------|-----------------------------------|\n| Odin, god of knowledge and war | NG | Knowledge, War | Watching blue eye |\n| Aegir, god of the sea and storms | NE | Tempest | Rough ocean waves |\n| Balder, god of beauty and poetry | NG | Life, Light | Gem-encrusted silver chalice |\n| Forseti, god of justice and law | N | Light | Head of a bearded man |\n| Frey, god of fertility and the sun | NG | Life, Light | Ice-blue greatsword |\n| Freya, goddess of fertility and love | NG | Life | Falcon |\n| Frigga, goddess of birth and fertility | N | Life, Light | Cat |\n| Heimdall, god of watchfulness and loyalty | LG | Light, War | Curling musical horn |\n| Hel, goddess of the underworld | NE | Death | Woman's face, rotting on one side |\n| Hermod, god of luck | CN | Trickery | Winged scroll |\n| Loki, god of thieves and trickery | CE | Trickery | Flame |\n| Njord, god of sea and wind | NG | Nature, Tempest | Gold coin |\n| Odur, god of light and the sun | CG | Light | Solar disk |\n| Sif, goddess of war | CG | War | Upraised sword |\n| Skadi, god of earth and mountains | N | Nature | Mountain peak |\n| Surtur, god of fire giants and war | LE | War | Flaming sword |\n| Thor, god of storms and thunder | CG | Tempest, War | Hammer |\n| Thrym, god of frost giants and cold | CE | War | White double-bladed axe |\n| Tyr, god of courage and strategy | LN | Knowledge, War | Sword |\n| Uller, god of hunting and winter | CN | Nature | Longbow |",
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"name": "The Celtic Pantheon",
"desc": "It's said that something wild lurks in the heart of every soul, a space that thrills to the sound of geese calling at night, to the whispering wind through the pines, to the unexpected red of mistletoe on an oak-and it is in this space that the Celtic gods dwell. They sprang from the brook and stream, their might heightened by the strength of the oak and the beauty of the woodlands and open moor. When the first forester dared put a name to the face seen in the bole of a tree or the voice babbling in a brook, these gods forced themselves into being.\n\nThe Celtic gods are as often served by druids as by clerics, for they are closely aligned with the forces of nature that druids revere.",
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"name": "The Egyptian Pantheon",
"desc": "The Egyptian Pantheon\n\nThese gods are a young dynasty of an ancient divine family, heirs to the rulership of the cosmos and the maintenance of the divine principle of Ma'at-the fundamental order of truth, justice, law, and order that puts gods, mortal pharaohs, and ordinary men and women in their logical and rightful place in the universe.\n\nThe Egyptian pantheon is unusual in having three gods responsible for death, each with different alignments. Anubis is the lawful neutral god of the afterlife, who judges the souls of the dead. Set is a chaotic evil god of murder, perhaps best known for killing his brother Osiris. And Nephthys is a chaotic good goddess of mourning.",
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"name": "The Greek Pantheon",
"desc": "The gods of Olympus make themselves known with the gentle lap of waves against the shores and the crash of the thunder among the cloud-enshrouded peaks. The thick boar-infested woods and the sere, olive-covered hillsides hold evidence of their passing. Every aspect of nature echoes with their presence, and they've made a place for themselves inside the human heart, too.",
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"name": "The Norse Pantheon",
"desc": "Where the land plummets from the snowy hills into the icy fjords below, where the longboats draw up on to the beach, where the glaciers flow forward and retreat with every fall and spring-this is the land of the Vikings, the home of the Norse pantheon. It's a brutal clime, and one that calls for brutal living. The warriors of the land have had to adapt to the harsh conditions in order to survive, but they haven't been too twisted by the needs of their environment. Given the necessity of raiding for food and wealth, it's surprising the mortals turned out as well as they did. Their powers reflect the need these warriors had for strong leadership and decisive action. Thus, they see their deities in every bend of a river, hear them in the crash of the thunder and the booming of the glaciers, and smell them in the smoke of a burning longhouse.\n\nThe Norse pantheon includes two main families, the Aesir (deities of war and destiny) and the Vanir (gods of fertility and prosperity). Once enemies, these two families are now closely allied against their common enemies, the giants (including the gods Surtur and Thrym).",
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"name": "Damage Threshold",
"desc": "Big objects such as castle walls often have extra resilience represented by a damage threshold. An object with a damage threshold has immunity to all damage unless it takes an amount of damage from a single attack or effect equal to or greater than its damage threshold, in which case it takes damage as normal. Any damage that fails to meet or exceed the object's damage threshold is considered superficial and doesn't reduce the object's hit points.",
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"name": "Huge and Gargantuan Objects",
"desc": "Normal weapons are of little use against many Huge and Gargantuan objects, such as a colossal statue, towering column of stone, or massive boulder. That said, one torch can burn a Huge tapestry, and an _earthquake_ spell can reduce a colossus to rubble. You can track a Huge or Gargantuan object's hit points if you like, or you can simply decide how long the object can withstand whatever weapon or force is acting against it. If you track hit points for the object, divide it into Large or smaller sections, and track each section's hit points separately. Destroying one of those sections could ruin the entire object. For example, a Gargantuan statue of a human might topple over when one of its Large legs is reduced to 0 hit points.",
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"name": "Objects and Damage Types",
"desc": "Objects are immune to poison and psychic damage. You might decide that some damage types are more effective against a particular object or substance than others. For example, bludgeoning damage works well for smashing things but not for cutting through rope or leather. Paper or cloth objects might be vulnerable to fire and lightning damage. A pick can chip away stone but can't effectively cut down a tree. As always, use your best judgment.",
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"name": "Statistics for Objects",
"desc": "When time is a factor, you can assign an Armor Class and hit points to a destructible object. You can also give it immunities, resistances, and vulnerabilities to specific types of damage.\n\n**_Armor Class_**. An object's Armor Class is a measure of how difficult it is to deal damage to the object when striking it (because the object has no chance of dodging out of the way). The Object Armor Class table provides suggested AC values for various substances.\n\n**Object Armor Class (table)**\n| Substance | AC |\n|---------------------|----|\n| Cloth, paper, rope | 11 |\n| Crystal, glass, ice | 13 |\n| Wood, bone | 15 |\n| Stone | 17 |\n| Iron, steel | 19 |\n| Mithral | 21 |\n| Adamantine | 23 |\n\n**_Hit Points_**. An object's hit points measure how much damage it can take before losing its structural integrity. Resilient objects have more hit points than fragile ones. Large objects also tend to have more hit points than small ones, unless breaking a small part of the object is just as effective as breaking the whole thing. The Object Hit Points table provides suggested hit points for fragile and resilient objects that are Large or smaller.\n\n**Object Hit Points (table)**\n\n| Size | Fragile | Resilient |\n|---------------------------------------|----------|-----------|\n| Tiny (bottle, lock) | 2 (1d4) | 5 (2d4) |\n| Small (chest, lute) | 3 (1d6) | 10 (3d6) |\n| Medium (barrel, chandelier) | 4 (1d8) | 18 (4d8) |\n| Large (cart, 10-ft.-by-10-ft. window) | 5 (1d10) | 27 (5d10) |",
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"name": "Channel Divinity",
"desc": "If you already have the Channel Divinity feature and gain a level in a class that also grants the feature, you gain the Channel Divinity effects granted by that class, but getting the feature again doesn't give you an additional use of it. You gain additional uses only when you reach a class level that explicitly grants them to you. For example, if you are a cleric 6/paladin 4, you can use Channel Divinity twice between rests because you are high enough level in the cleric class to have more uses. Whenever you use the feature, you can choose any of the Channel Divinity effects available to you from your two classes.",
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"name": "Class Features",
"desc": "When you gain a new level in a class, you get its features for that level. You don't, however, receive the class's starting equipment, and a few features have additional rules when you're multiclassing: Channel Divinity, Extra Attack, Unarmored Defense, and Spellcasting.",
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"name": "Experience Points",
"desc": "The experience point cost to gain a level is always based on your total character level, as shown in the Character Advancement table, not your level in a particular class. So, if you are a cleric 6/fighter 1, you must gain enough XP to reach 8th level before you can take your second level as a fighter or your seventh level as a cleric.",
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"name": "Extra Attack",
"desc": "If you gain the Extra Attack class feature from more than one class, the features don't add together. You can't make more than two attacks with this feature unless it says you do (as the fighter's version of Extra Attack does). Similarly, the warlock's eldritch invocation Thirsting Blade doesn't give you additional attacks if you also have Extra Attack.",
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"name": "Hit Points and Hit Dice",
"desc": "You gain the hit points from your new class as described for levels after 1st. You gain the 1st-level hit points for a class only when you are a 1st-level character.\n\nYou add together the Hit Dice granted by all your classes to form your pool of Hit Dice. If the Hit Dice are the same die type, you can simply pool them together. For example, both the fighter and the paladin have a d10, so if you are a paladin 5/fighter 5, you have ten d10 Hit Dice. If your classes give you Hit Dice of different types, keep track of them separately. If you are a paladin 5/cleric 5, for example, you have five d10 Hit Dice and five d8 Hit Dice.",
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"name": "Prerequisites",
"desc": "To qualify for a new class, you must meet the ability score prerequisites for both your current class and your new one, as shown in the Multiclassing Prerequisites table. For example, a barbarian who decides to multiclass into the druid class must have both Strength and Wisdom scores of 13 or higher. Without the full training that a beginning character receives, you must be a quick study in your new class, having a natural aptitude that is reflected by higher- than-average ability scores.\n\n**Multiclassing Prerequisites (table)**\n\n| Class | Ability Score Minimum |\n|-----------|-----------------------------|\n| Barbarian | Strength 13 |\n| Bard | Charisma 13 |\n| Cleric | Wisdom 13 |\n| Druid | Wisdom 13 |\n| Fighter | Strength 13 or Dexterity 13 |\n| Monk | Dexterity 13 and Wisdom 13 |\n| Paladin | Strength 13 and Charisma 13 |\n| Ranger | Dexterity 13 and Wisdom 13 |\n| Rogue | Dexterity 13 |\n| Sorcerer | Charisma 13 |\n| Warlock | Charisma 13 |\n| Wizard | Intelligence 13 |",
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"name": "Proficiencies",
"desc": "When you gain your first level in a class other than your initial class, you gain only some of new class's starting proficiencies, as shown in the Multiclassing Proficiencies table.\n\n**Multiclassing Proficiencies (table)**\n\n| Class | Proficiencies Gained |\n|-----------|------------------------------------------------------------------------------------------------------------|\n| Barbarian | Shields, simple weapons, martial weapons |\n| Bard | Light armor, one skill of your choice, one musical instrument of your choice |\n| Cleric | Light armor, medium armor, shields |\n| Druid | Light armor, medium armor, shields (druids will not wear armor or use shields made of metal) |\n| Fighter | Light armor, medium armor, shields, simple weapons, martial weapons |\n| Monk | Simple weapons, shortswords |\n| Paladin | Light armor, medium armor, shields, simple weapons, martial weapons |\n| Ranger | Light armor, medium armor, shields, simple weapons, martial weapons, one skill from the class's skill list |\n| Rogue | Light armor, one skill from the class's skill list, thieves' tools |\n| Sorcerer | - |\n| Warlock | Light armor, simple weapons |\n| Wizard | - |",
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"name": "Hit Points and Hit Dice",
"desc": "Your proficiency bonus is always based on your total character level, as shown in the Character Advancement table in chapter 1, not your level in a particular class. For example, if you are a fighter 3/rogue 2, you have the proficiency bonus of a 5th- level character, which is +3.",
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"name": "Spellcasting",
"desc": "Your capacity for spellcasting depends partly on your combined levels in all your spellcasting classes and partly on your individual levels in those classes. Once you have the Spellcasting feature from more than one class, use the rules below. If you multiclass but have the Spellcasting feature from only one class, you follow the rules as described in that class.\n\n**_Spells Known and Prepared._** You determine what spells you know and can prepare for each class individually, as if you were a single-classed member of that class. If you are a ranger 4/wizard 3, for example, you know three 1st-level ranger spells based on your levels in the ranger class. As 3rd-level wizard, you know three wizard cantrips, and your spellbook contains ten wizard spells, two of which (the two you gained when you reached 3rd level as a wizard) can be 2nd-level spells. If your Intelligence is 16, you can prepare six wizard spells from your spellbook.\n\nEach spell you know and prepare is associated with one of your classes, and you use the spellcasting ability of that class when you cast the spell. Similarly, a spellcasting focus, such as a holy symbol, can be used only for the spells from the class associated with that focus.\n\n**_Spell Slots._** You determine your available spell slots by adding together all your levels in the bard, cleric, druid, sorcerer, and wizard classes, and half your levels (rounded down) in the paladin and ranger classes. Use this total to determine your spell slots by consulting the Multiclass Spellcaster table.\n\nIf you have more than one spellcasting class, this table might give you spell slots of a level that is higher than the spells you know or can prepare. You can use those slots, but only to cast your lower-level spells. If a lower-level spell that you cast, like _burning hands_, has an enhanced effect when cast using a higher-level slot, you can use the enhanced effect, even though you don't have any spells of that higher level.\n\nFor example, if you are the aforementioned ranger 4/wizard 3, you count as a 5th-level character when determining your spell slots: you have four 1st-level slots, three 2nd-level slots, and two 3rd-level slots. However, you don't know any 3rd-level spells, nor do you know any 2nd-level ranger spells. You can use the spell slots of those levels to cast the spells you do know-and potentially enhance their effects.\n\n**_Pact Magic._** If you have both the Spellcasting class feature and the Pact Magic class feature from the warlock class, you can use the spell slots you gain from the Pact Magic feature to cast spells you know or have prepared from classes with the Spellcasting class feature, and you can use the spell slots you gain from the Spellcasting class feature to cast warlock spells you know.\n\n**Multiclass Spellcaster: Spell Slots per Spell Level (table)**\n\n| Level | 1st | 2nd | 3rd | 4th | 5th | 6th | 7th | 8th | 9th |\n|-------|-----|-----|-----|-----|-----|-----|-----|-----|-----|\n| 1st | 2 | - | - | - | - | - | - | - | - |\n| 2nd | 3 | - | - | - | - | - | - | - | - |\n| 3rd | 4 | 2 | - | - | - | - | - | - | - |\n| 4th | 4 | 3 | - | - | - | - | - | - | - |\n| 5th | 4 | 3 | 2 | - | - | - | - | - | - |\n| 6th | 4 | 3 | 3 | - | - | - | - | - | - |\n| 7th | 4 | 3 | 3 | 1 | - | - | - | - | - |\n| 8th | 4 | 3 | 3 | 2 | - | - | - | - | - |\n| 9th | 4 | 3 | 3 | 3 | 1 | - | - | - | - |\n| 10th | 4 | 3 | 3 | 3 | 2 | - | - | - | - |\n| 11th | 4 | 3 | 3 | 3 | 2 | 1 | - | - | - |\n| 12th | 4 | 3 | 3 | 3 | 2 | 1 | - | - | - |\n| 13th | 4 | 3 | 3 | 3 | 2 | 1 | 1 | - | - |\n| 14th | 4 | 3 | 3 | 3 | 2 | 1 | 1 | - | - |\n| 15th | 4 | 3 | 3 | 3 | 2 | 1 | 1 | 1 | - |\n| 16th | 4 | 3 | 3 | 3 | 2 | 1 | 1 | 1 | - |\n| 17th | 4 | 3 | 3 | 3 | 2 | 1 | 1 | 1 | 1 |\n| 18th | 4 | 3 | 3 | 3 | 3 | 1 | 1 | 1 | 1 |\n| 19th | 4 | 3 | 3 | 3 | 3 | 2 | 1 | 1 | 1 |\n| 20th | 4 | 3 | 3 | 3 | 3 | 2 | 2 | 1 | 1 |",
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"name": "Unarmored Defense",
"desc": "If you already have the Unarmored Defense feature, you can't gain it again from another class.",
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"name": "Climbing, Swimming and Crawling",
"desc": "While climbing or swimming, each foot of movement costs 1 extra foot (2extra feet in difficult terrain), unless a creature has a climbing orswimming speed. At the GM's option, climbing a slippery vertical surfaceor one with few handholds requires a successful Strength (Athletics) check. Similarly, gaining any distance in rough water might require asuccessful Strength (Athletics) check.",
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"name": "Difficult Terrain",
"desc": "The travel speeds given in the Travel Pace table assume relativelysimple terrain: roads, open plains, or clear dungeon corridors. But adventurers often face dense forests, deep swamps, rubble-filled ruins, steep mountains, and ice-covered ground---all considered difficult terrain.\n\nYou move at half speed in difficult terrain---moving 1 foot in difficult terrain costs 2 feet of speed---so you can cover only half the normal distance in a minute, an hour, or a day.",
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"name": "Jumping",
"desc": "Your Strength determines how far you can jump.\n\n**Long Jump.** When you make a long jump, you cover a number of feet upto your Strength score if you move at least 10 feet on foot immediatelybefore the jump. When you make a standing long jump, you can leap onlyhalf that distance. Either way, each foot you clear on the jump costs afoot of movement.\nThis rule assumes that the height of your jump doesn't matter, such as ajump across a stream or chasm. At your GM's option, you must succeed ona DC 10 Strength (Athletics) check to clear a low obstacle (no tallerthan a quarter of the jump's distance), such as a hedge or low wall.\nOtherwise, you hit it.\nWhen you land in difficult terrain, you must succeed on a DC 10Dexterity (Acrobatics) check to land on your feet. Otherwise, you landprone.\n\n**High Jump.** When you make a high jump, you leap into the air a numberof feet equal to 3 + your Strength modifier if you move at least 10 feeton foot immediately before the jump. When you make a standing high jump,you can jump only half that distance. Either way, each foot you clear onthe jump costs a foot of movement. In some circumstances, your GM mightallow you to make a Strength (Athletics) check to jump higher than younormally can.\nYou can extend your arms half your height above yourself during thejump. Thus, you can reach above you a distance equal to the height ofthe jump plus 1½ times your height.",
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"name": "Special Types of Movement",
"desc": "Movement through dangerous dungeons or wilderness areas often involves more than simply walking. Adventurers might have to climb, crawl, swim,or jump to get where they need to go.",
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"name": "Speed",
"desc": "Every character and monster has a speed, which is the distance in feetthat the character or monster can walk in 1 round. This number assumesshort bursts of energetic movement in the midst of a life-threatening situation.\n\nThe following rules determine how far a character or monster can move in a minute, an hour, or a day.",
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"name": "Travel Pace",
"desc": "While traveling, a group of adventurers can move at a normal, fast, orslow pace, as shown on the Travel Pace table. The table states how farthe party can move in a period of time and whether the pace has anyeffect. A fast pace makes characters less perceptive, while a slow pacemakes it possible to sneak around and to search an area more carefully.\n\n**Forced March.** The Travel Pace table assumes that characters travelfor 8 hours in day. They can push on beyond that limit, at the risk of exhaustion.\n\nFor each additional hour of travel beyond 8 hours, the characters coverthe distance shown in the Hour column for their pace, and each charactermust make a Constitution saving throw at the end of the hour. The DC is 10 + 1 for each hour past 8 hours. On a failed saving throw, a charactersuffers one level of exhaustion.\n\n**Mounts and Vehicles.** For short spans of time (up to an hour), many animals move much faster than humanoids. A mounted character can ride at a gallop for about an hour, covering twice the usual distance for a fastpace. If fresh mounts are available every 8 to 10 miles, characters cancover larger distances at this pace, but this is very rare except indensely populated areas.\nCharacters in wagons, carriages, or other land vehicles choose a pace asnormal. Characters in a waterborne vessel are limited to the speed ofthe vessel, and they don't suffer penalties for a fast pace or gainbenefits from a slow pace. Depending on the vessel and the size of thecrew, ships might be able to travel for up to 24 hours per day.\nCertain special mounts, such as a pegasus or griffon, or specialvehicles, such as a carpet of flying, allow you to travel more swiftly.",
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"name": "Mounts and Other Animals",
"desc": "| Item | Cost | Speed | Carrying Capacity |\n|----------------|--------|--------|-------------------|\n| Camel | 50 gp | 50 ft. | 480 lb. |\n| Donkey or mule | 8 gp | 40 ft. | 420 lb. |\n| Elephant | 200 gp | 40 ft. | 1,320 lb. |\n| Horse, draft | 50 gp | 40 ft. | 540 lb. |\n| Horse, riding | 75 gp | 60 ft. | 480 lb. |\n| Mastiff | 25 gp | 40 ft. | 195 lb. |\n| Pony | 30 gp | 40 ft. | 225 lb. |\n| Warhorse | 400 gp | 60 ft. | 540 lb. |",
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"name": "Tack, Harness, and Drawn Vehicles",
"desc": "| Item | Cost | Weight |\n|--------------------|--------|---------|\n| Barding | ×4 | ×2 |\n| Bit and bridle | 2 gp | 1 lb. |\n| Carriage | 100 gp | 600 lb. |\n| Cart | 15 gp | 200 lb. |\n| Chariot | 250 gp | 100 lb. |\n| Feed (per day) | 5 cp | 10 lb. |\n| **_Saddle_** | | |\n| - Exotic | 60 gp | 40 lb. |\n| - Military | 20 gp | 30 lb. |\n| - Pack | 5 gp | 15 lb. |\n| - Riding | 10 gp | 25 lb. |\n| Saddlebags | 4 gp | 8 lb. |\n| Sled | 20 gp | 300 lb. |\n| Stabling (per day) | 5 sp | - |\n| Wagon | 35 gp | 400 lb. |",
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"name": "Waterborne Vehicles",
"desc": "| Item | Cost | Speed |\n|--------------|-----------|--------|\n| Galley | 30,000 gp | 4 mph |\n| Keelboat | 3,000 gp | 1 mph |\n| Longship | 10,000 gp | 3 mph |\n| Rowboat | 50 gp | 1½ mph |\n| Sailing ship | 10,000 gp | 2 mph |\n| Warship | 25,000 gp | 2½ mph |",
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"name": "Controlling a Mount",
"desc": "While you're mounted, you have two options. You can either control the mount or allow it to act independently. Intelligent creatures, such as dragons, act independently.\n\nYou can control a mount only if it has been trained to accept a rider. Domesticated horses, donkeys, and similar creatures are assumed to have such training. The initiative of a controlled mount changes to match yours when you mount it. It moves as you direct it, and it has only three action options: Dash, Disengage, and Dodge. A controlled mount can move and act even on the turn that you mount it.\n\nAn independent mount retains its place in the initiative order. Bearing a rider puts no restrictions on the actions the mount can take, and it moves and acts as it wishes. It might flee from combat, rush to attack and devour a badly injured foe, or otherwise act against your wishes.\n\nIn either case, if the mount provokes an opportunity attack while you're on it, the attacker can target you or the mount.",
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"name": "Mounting and Dismounting",
"desc": "Once during your move, you can mount a creature that is within 5 feet of you or dismount. Doing so costs an amount of movement equal to half your speed. For example, if your speed is 30 feet, you must spend 15 feet of movement to mount a horse. Therefore, you can't mount it if you don't have 15 feet of movement left or if your speed is 0.\n\nIf an effect moves your mount against its will while you're on it, you must succeed on a DC 10 Dexterity saving throw or fall off the mount, landing srd:prone in a space within 5 feet of it. If you're knocked srd:prone while mounted, you must make the same saving throw.\n\nIf your mount is knocked srd:prone, you can use your reaction to dismount it as it falls and land on your feet. Otherwise, you are dismounted and fall srd:prone in a space within 5 feet it.",
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{
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"name": "Ability Score",
"desc": "Every monster has six ability scores (Strength, Dexterity, Constitution, Intelligence, Wisdom, and Charisma) and corresponding modifiers. For more information on ability scores and how they’re used in play, see the *Player’s Handbook*.",
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"name": "Actions",
"desc": "When a monster takes its action, it can choose from the options in the Actions section of its stat block or use one of the actions available to all creatures, such as the Dash or Hide action, as described in the *Player’s Handbook*.",
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"name": "Alignment",
"desc": "A monster’s alignment provides a clue to its disposition and how it behaves in a roleplaying or combat situation. For example, a chaotic evil monster might be difficult to reason with and might attack characters on sight, whereas a neutral monster might be willing to negotiate. See the *Player’s Handbook* for descriptions of the different alignments.\n\nThe alignment specified in a monster’s stat block is the default. Feel free to depart from it and change a monster’s alignment to suit the needs of your campaign. If you want a good-aligned green dragon or an evil storm giant, there’s nothing stopping you.\n\nSome creatures can have **any alignment**. In other words, you choose the monster’s alignment. Some monster’s alignment entry indicates a tendency or aversion toward law, chaos, good, or evil. For example, a berserker can be any chaotic alignment (chaotic good, chaotic neutral, or chaotic evil), as befits its wild nature.\n\nMany creatures of low intelligence have no comprehension of law or chaos, good or evil. They don’t make moral or ethical choices, but rather act on instinct. These creatures are **unaligned**, which means they don’t have an alignment.",
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"name": "Ammunition",
"desc": "A monster carries enough ammunition to make its ranged attacks. You can assume that a monster has 2d4 pieces of ammunition for a thrown weapon attack, and 2d10 pieces of ammunition for a projectile weapon such as a bow or crossbow.",
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"name": "Armor Class",
"desc": "A monster that wears armor or carries a shield has an Armor Class (AC) that takes its armor, shield, and Dexterity into account. Otherwise, a monster’s AC is based on its Dexterity modifier and natural armor, if any. If a monster has natural armor, wears armor, or carries a shield, this is noted in parentheses after its AC value.",
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"name": "Armor, Weapon and Tool Proficiency",
"desc": "Assume that a creature is proficient with its armor, weapons, and tools. If you swap them out, you decide whether the creature is proficient with its new equipment.\n\nFor example, a hill giant typically wears hide armor and wields a greatclub. You could equip a hill giant with chain mail and a greataxe instead, and assume the giant is proficient with both, one or the other, or neither.\n\nSee the *Player’s Handbook* for rules on using armor or weapons without proficiency.",
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},
{
"url": "https://api-beta.open5e.com/v2/rules/srd_monsters_challenge/?format=api",
"name": "Challenge",
"desc": "A monster’s **challenge rating** tells you how great a threat the monster is. An appropriately equipped and well-rested party of four adventurers should be able to defeat a monster that has a challenge rating equal to its level without suffering any deaths. For example, a party of four 3rd-level characters should find a monster with a challenge rating of 3 to be a worthy challenge, but not a deadly one.\n\nMonsters that are significantly weaker than 1st-level characters have a challenge rating lower than 1. Monsters with a challenge rating of 0 are insignificant except in large numbers; those with no effective attacks are worth no experience points, while those that have attacks are worth 10 XP each.\n\nSome monsters present a greater challenge than even a typical 20th-level party can handle. These monsters have a challenge rating of 21 or higher and are specifically designed to test player skill.",
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},
{
"url": "https://api-beta.open5e.com/v2/rules/srd_monsters_equipment/?format=api",
"name": "Equipment",
"desc": "A stat block rarely refers to equipment, other than armor or weapons used by a monster. A creature that customarily wears clothes, such as a humanoid, is assumed to be dressed appropriately.\n\nYou can equip monsters with additional gear and trinkets however you like, and you decide how much of a monster’s equipment is recoverable after the creature is slain and whether any of that equipment is still usable. A battered suit of armor made for a monster is rarely usable by someone else, for instance.\n\nIf a spellcasting monster needs material components to cast its spells, assume that it has the material components it needs to cast the spells in its stat block.",
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},
{
"url": "https://api-beta.open5e.com/v2/rules/srd_monsters_experience-points/?format=api",
"name": "Experience Points",
"desc": "The number of experience points (XP) a monster is worth is based on its challenge rating. Typically, XP is awarded for defeating the monster, although the GM may also award XP for neutralizing the threat posed by the monster in some other manner.\n\nUnless something tells you otherwise, a monster summoned by a spell or other magical ability is worth the XP noted in its stat block.",
"index": 19,
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{
"url": "https://api-beta.open5e.com/v2/rules/srd_monsters_experience-points-by-cr/?format=api",
"name": "Experience Points by Challenge Rating",
"desc": "| Challenge | XP |\n|---------------|------|\n| 0 | 0 or 10 |\n| ⅛ | 25 |\n| ¼ | 50 |\n| ½ |100 |\n| 1 | 200 |\n| 2 | 450 |\n| 3 | 700 |\n| 4 | 1,100 |\n| 5 | 1,800 |\n| 6 | 2,300 |\n| 7 | 2,900 |\n| 8 | 3,900 |\n| 9 | 5,000 |\n| 10 | 5,900 |\n| 11 | 7,200 |\n| 12 | 8,400 |\n| 13 | 10,000 |\n| 14 | 11,500 |\n| 15 | 13,000 |\n| 16 | 15,000 |\n| 17 | 18,000 |\n| 18 | 20,000 |\n| 19 | 22,000 |\n| 20 | 25,000 |\n| 21 | 33,000 |\n| 22 | 41,000 |\n| 23 | 50,000 |\n| 24 | 62,000 |\n| 25 | 75,000 |\n| 26 | 90,000 |\n| 27 | 105,000 |\n| 28 | 120,000 |\n| 29 | 135,000 |\n| 30 | 155,000 |",
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{
"url": "https://api-beta.open5e.com/v2/rules/srd_monsters_grapple-rules/?format=api",
"name": "Grapple Rules for Monsters",
"desc": "Many monsters have special attacks that allow them to quickly grapple prey. When a monster hits with such an attack, it doesn’t need to make an additional ability check to determine whether the grapple succeeds, unless the attack says otherwise.\n\nA creature grappled by the monster can use its action to try to escape. To do so, it must succeed on a Strength (Athletics) or Dexterity (Acrobatics) check against the escape DC in the monster’s stat block. If no escape DC is given, assume the DC is 10 + the monster’s Strength (Athletics) modifier.",
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]
}